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(used as subject - formal)

  • 1 you

    ju:
    1) ((used as the subject or object of a verb, or as the object of a preposition) the person(s) etc spoken or written to: You look well!; I asked you a question; Do you all understand?; Who came with you?) tú, vosotros, vosotras, usted, ustedes (sujeto); se, uno (sujeto impersonal); te, ti, os (complemento); la, le, lo, los, las (complemento directo); le, les (complemento indirecto); contigo (|with| you)
    2) (used with a noun when calling someone something, especially something unpleasant: You idiot!; You fools!) cacho, ¡pero serás (idiota)!
    you pron
    1. tú / ti / usted / vosotros / ustedes
    what would you like, sir? ¿qué quiere, señor?
    do you understand? ¿entendéis?
    can you help me? ¿me pueden ayudar?
    2. te / le / la / lo / os / les / las / los
    can I help you? ¿puedo ayudarle?
    3.
    tr[jʊː]
    1 (subject, familiar, singular)
    and what did you say? y tú, ¿qué dijiste?
    2 (subject, familiar, plural - men) vosotros; (- women) vosotras
    you two, where are you going? vosotros dos, ¿adónde vais?
    3 (subject, polite, singular) usted, Vd., Ud.
    4 (subject, polite, plural) ustedes, Vds., Uds.
    5 (subject, impersonal) se, uno
    sometimes you just have to say no, don't you? a veces, uno tiene que decir que no, ¿verdad?
    6 (object, familiar, singular) te; (with prep) ti; (if prep is con) contigo
    I'm going with you, without you I'm lost voy contigo, sin ti estoy perdido
    7 (object, familiar, plural) os; (with preposition) vosotros,-as
    8 (direct object, polite, singular - man) lo, le; (- woman) la; (with preposition) usted
    good morning, sir, can I help you? buenos días, señor, ¿puedo ayudarlo?
    I'm sorry madam, I can't hear you perdone señora, no la oigo
    9 (direct object, polite, plural - men) los; (- women) las; (with preposition) ustedes
    good morning, gentlemen, can I help you? buenos días, señores, ¿puedo ayudarlos?
    I'm sorry ladies, I don't understand you lo siento señoras, no las entiendo
    gentlemen, this is for you señores, esto es para ustedes
    10 (indirect object, polite, singular) le
    11 (indirect object, polite, plural) les
    12 (object, impersonal)
    you ['ju:] pron
    1) (used as subject - familiar) : tú; vos in some Latin American countries; ustedes pl; vosotros, vosotras pl Spain
    2) (used as subject - formal) : usted, ustedes pl
    3) (used as indirect object - familiar) : te, les pl (se before lo, la, los, las), os pl Spain
    he told it to you: te lo contó
    I gave them to (all of, both of) you: se los di
    5) (used after a preposition - familiar) : ti; vos in some Latin American countries; ustedes pl; vosotros, vosotras pl Spain
    6) (used after a preposition - formal) : usted, ustedes pl
    you never know: nunca se sabe
    you have to be aware: hay que ser consciente
    you mustn't do that: eso no se hace
    8)
    with you (familiar) : contigo; con ustedes pl; con vosotros, con vosotras pl Spain
    9)
    with you (formal) : con usted, con ustedes pl
    pron.
    le pron.
    te pron. (formal)
    pron.
    usted pron. (formal, plural)
    pron.
    vosotros pron.pl. (informal)
    pron.
    pron.
    ustedes pron.
    pron.
    te pron.
    juː
    1) ( sing)
    a) ( as subject - familiar) tú, vos (AmC, RPl); (- formal) usted

    now you try — ahora prueba tú/pruebe usted, ahora probá vos (AmC, RPl)

    if I were you — yo que tú/que usted, yo en tu/en su lugar, yo que vos (AmC, RPl)

    b) ( as direct object - familiar) te; (- formal, masculine) lo, le (Esp); (- formal, feminine) la

    I saw you, Pete — te vi, Pete

    I saw you, Mr Russell — lo vi, señor Russell, le vi, señor Russell (Esp)

    I told you — te dije/le dije

    I gave it to you — te lo di/se lo di

    d) ( after prep - familiar) ti, vos (AmC, RPl); (- formal) usted

    for you — para ti/usted, para vos (AmC, RPl)

    with you — contigo/con usted

    2) (pl)
    a) (as subject, after preposition - familiar) ustedes (AmL), vosotros, -tras (Esp); (- formal) ustedes

    be quiet, you two — ustedes dos: cállense!, vosotros dos: callaos! (Esp)

    come on, you guys! — vamos, chicos

    b) ( as direct object - familiar) los, las (AmL), os (Esp); (- formal, masculine) los, les (Esp); (- formal, feminine) las

    I heard you, gentlemen — los or (Esp tb) les oí, caballeros

    I heard you, boys/girls — los/las oí, chicos/chicas (AmL), os oí, chicos/chicas (Esp)

    I gave you the bookles or (Esp tb) os di el libro

    I gave it to youse or (Esp tb) os lo di

    3) ( one)
    a) ( as subject) uno, una

    you can't do that hereaquí uno no puede or no se puede or no puedes hacer eso

    people stop you in the street and ask for money — la gente te para en la calle y te pide dinero, la gente lo para a uno en la calle y le pide dinero

    they never tell you the truth — nunca te dicen la verdad, nunca le dicen la verdad a uno

    [juː]
    PRON Note that subject pronouns are used less in Spanish than in English - mainly for emphasis or to avoid ambiguity.
    a) (familiar) (=as subject) tú; (as direct/indirect object) te; (after prep) ti

    what do you think about it? — ¿y tú que piensas?

    I told you to do it — te dije a ti que lo hicieras, es a ti a quien dije que lo hicieras

    it's for you — es para ti

    she's taller than you — es más alta que tú

    can I come with you — ¿puedo ir contigo?

    b) frm (=as subject) usted, Ud, Vd; (as direct object) lo/la, le (Sp); (as indirect object) le; (after prep) usted, Ud, Vd

    I saw you, Mrs Jones — la vi, señora Jones

    Change [le] to [se] before a direct object pronoun:

    this is for you — esto es para usted

    they're taller than you — son más altos que usted

    2) (pl)
    a) (familiar) (=as subject) vosotros(-as) (Sp), ustedes (LAm); (as direct object) os (Sp), los/las (LAm); (as indirect object) os (Sp), les (LAm); (after prep) vosotros(-as) (Sp), ustedes (LAm)

    you're sisters, aren't you? — vosotras sois hermanas, ¿no?

    you stay here, and I'll go and get the key — (vosotros) quedaos aquí, que yo iré a por la llave

    I live upstairs from you — vivo justo encima de vosotros

    they've done it better than you — lo han hecho mejor que vosotros

    they'll go without you — irán sin vosotros

    b) frm (=as subject) ustedes, Uds, Vds; (as direct object) los/las, les (Sp); (as indirect object) les; (after prep) ustedes, Uds, Vds

    are you brothers? — ¿son (ustedes) hermanos?

    may I help you? — ¿puedo ayudarlos?

    Change [les] to [se] before a direct object pronoun:

    we arrived after you — llegamos después de ustedes

    When you means "one" or "people" in general, the impersonal se is often used:

    you can't do that — no se puede hacer eso, eso no se hace, eso no se permite

    you can't smoke here — no se puede fumar aquí, no se permite fumar aquí, se prohíbe fumar aquí

    you never know, you never can tell — nunca se sabe

    A further possibility is [uno]:

    you never know whether... — uno nunca sabe si...

    Impersonal constructions are also used:

    you need to check it every day — hay que comprobarlo cada día, conviene comprobarlo cada día

    you doctors! — ¡vosotros, los médicos!

    between you and me — entre tú y yo

    you fool! — ¡no seas tonto!

    that's lawyers for you! — ¡para que te fíes de los abogados!

    there's a pretty girl for you! — ¡mira que chica más guapa!

    if I were or was you — yo que tú, yo en tu lugar

    you there! — ¡oye, tú!

    that dress just isn't you — ese vestido no te sienta bien

    poor you!, poor old you!, you poor old thing! — ¡pobrecito!

    YOU When translating you, even though you often need not use the pronoun itself, you will have to choose between using familiar tú/vosotros verb forms and the polite usted/ ustedes ones. ► In Spain, use and the plural vosotros/ vosotras with anyone you call by their first name, with children and younger adults. Use usted/ ustedes with people who are older than you, those in authority and in formal contexts. ► In Latin America usage varies depending on the country and in some places only the usted forms are used. Where the form does exist, only use it with people you know very well. In other areas vos, used with verb forms that are similar to the vosotros ones, often replaces . This is standard in Argentina and certain Central American countries while in other countries it is considered substandard. Use ustedes for all cases of you in the plural. For further uses and examples, see main entry
    * * *
    [juː]
    1) ( sing)
    a) ( as subject - familiar) tú, vos (AmC, RPl); (- formal) usted

    now you try — ahora prueba tú/pruebe usted, ahora probá vos (AmC, RPl)

    if I were you — yo que tú/que usted, yo en tu/en su lugar, yo que vos (AmC, RPl)

    b) ( as direct object - familiar) te; (- formal, masculine) lo, le (Esp); (- formal, feminine) la

    I saw you, Pete — te vi, Pete

    I saw you, Mr Russell — lo vi, señor Russell, le vi, señor Russell (Esp)

    I told you — te dije/le dije

    I gave it to you — te lo di/se lo di

    d) ( after prep - familiar) ti, vos (AmC, RPl); (- formal) usted

    for you — para ti/usted, para vos (AmC, RPl)

    with you — contigo/con usted

    2) (pl)
    a) (as subject, after preposition - familiar) ustedes (AmL), vosotros, -tras (Esp); (- formal) ustedes

    be quiet, you two — ustedes dos: cállense!, vosotros dos: callaos! (Esp)

    come on, you guys! — vamos, chicos

    b) ( as direct object - familiar) los, las (AmL), os (Esp); (- formal, masculine) los, les (Esp); (- formal, feminine) las

    I heard you, gentlemen — los or (Esp tb) les oí, caballeros

    I heard you, boys/girls — los/las oí, chicos/chicas (AmL), os oí, chicos/chicas (Esp)

    I gave you the bookles or (Esp tb) os di el libro

    I gave it to youse or (Esp tb) os lo di

    3) ( one)
    a) ( as subject) uno, una

    you can't do that hereaquí uno no puede or no se puede or no puedes hacer eso

    people stop you in the street and ask for money — la gente te para en la calle y te pide dinero, la gente lo para a uno en la calle y le pide dinero

    they never tell you the truth — nunca te dicen la verdad, nunca le dicen la verdad a uno

    English-spanish dictionary > you

  • 2 Gillette, King Camp

    [br]
    b. 5 January 1855 Fond du Lac, Wisconsin, USA
    d. 9 July 1932 Los Angeles, California, USA
    [br]
    American inventor and manufacturer, inventor of the safety razor.
    [br]
    Gillette's formal education in Chicago was brought to an end when a disastrous fire destroyed all his father's possessions. Forced to fend for himself, he worked first in the hardware trade in Chicago and New York, then as a travelling salesman. Gillette inherited the family talent for invention, but found that his successful inventions barely paid for those that failed. He was advised by a previous employer, William Painter (inventor of the Crown Cork), to look around for something that could be used widely and then thrown away. In 1895 he succeeded in following that advice of inventing something which people could use and then throw away, so that they would keep coming back for more. An idea came to him while he was honing an old-fashioned razor one morning; he was struck by the fact that only a short piece of the whole length of a cutthroat razor is actually used for shaving, as well as by the potentially dangerous nature of the implement. He "rushed out to purchase some pieces of brass, some steel ribbon used for clock springs, a small hand vise and some files". He thought of using a thin steel blade sharpened on each side, placed between two plates and held firmly together by a handle. Though coming from a family of inventors, Gillette had no formal technical education and was entirely ignorant of metallurgy. For six years he sought a way of making a cheap blade from sheet steel that could be hardened, tempered and sharpened to a keen edge.
    Gillette eventually found financial supporters: Henry Sachs, a Boston lamp manufacturer; his brother-in-law Jacob Heilbron; and William Nickerson, who had a considerable talent for invention. By skilled trial and error rather than expert metallurgical knowledge, Nickerson devised ways of forming and sharpening the blades, and it was these that brought commercial success. In 1901, the American Safety Razor Company, later to be renamed the Gillette Safety Razor Company, was set up. When it started production in 1903 the company was badly in debt, and managed to sell only fifty-one razors and 168 blades; but by the end of the following year, 90,000 razors and 12.4 million blades had been sold. A sound invention coupled with shrewd promotion ensured further success, and eight plants manufacturing safety razors were established in various parts of the world. Gillette's business experiences led him into the realms of social theory about the way society should be organized. He formulated his views in a series of books published over the years 1894 to 1910. He believed that competition led to a waste of up to 90 per cent of human effort and that want and crime would be eliminated by substituting a giant trust to plan production centrally. Unfortunately, the public in America, or anywhere else for that matter, were not ready for this form of Utopia; no omniscient planners were available, and human wants and needs were too various to be supplied by a single agency. Even so, some of his ideas have found favour: air conditioning and government provision of work for the unemployed. Gillette made a fortune from his invention and retired from active participation in the business in 1913, although he remained President until 1931 and Director until his death.
    [br]
    Bibliography
    "Origin of the Gillette razor", Gillette Blade (February/March).
    Further Reading
    Obituary, 1932, New York Times (11 July).
    J.Jewkes, D.Sawers and R.Stillerman, 1958, The Sources of Invention, London: Macmillan.
    LRD / IMcN

    Biographical history of technology > Gillette, King Camp

  • 3 Weldon, Walter

    SUBJECT AREA: Chemical technology
    [br]
    b. 31 October 1832 Loughborough, England
    d. 20 September 1885 Burstow, Surrey, England
    [br]
    English industrial chemist.
    [br]
    It was intended that Weldon should enter his father's factory in Loughborough, but he decided instead to turn to journalism, which he pursued with varying success in London. His Weldon's Register of Facts and Occurrences in Literature, Science, and Art ran for only four years, from 1860 to 1864, but the fashion magazine Weldon's Journal, which he published with his wife, was more successful. Meanwhile Weldon formed an interest in chemistry, although he had no formal training in that subject. He devoted himself to solving one of the great problems of industrial chemistry at that time. The Leblanc process for the manufacture of soda produced large quantities of hydrochloric acid in gas form. By this time, this by-product was being converted, by oxidation with manganese dioxide, to chlorine, which was much used in the textile and paper industries as a bleaching agent. The manganese ended up as manganese chloride, from which it was difficult to convert back to the oxide, for reuse in treating the hydrochloric acid, and it was an expensive substance. Weldon visited the St Helens district of Lancashire, an important centre for the manufacture of soda, to work on the problem. During the three years from 1866 to 1869, he took out six patents for the regeneration of manganese dioxide by treating the manganese chloride with milk of lime and blowing air through it. The Weldon process was quickly adopted and had a notable economic effect: the price of bleaching powder came down by £6 per ton and production went up fourfold.
    By the time of his death, nearly all chlorine works in the world used Weldon's process. The distinguished French chemist J.B.A.Dumas said of the process, when presenting Weldon with a gold medal, "every sheet of paper and every yard of calico has been cheapened throughout the world". Weldon played an active part in the founding of the Society of Chemical Industry.
    [br]
    Principal Honours and Distinctions
    FRS 1882. President, Society of Chemical Industry 1883–4.
    Further Reading
    T.C.Barker and J.R.Harris, 1954, A Merseyside Town in the Industrial Revolution: St Helens, 1750–1900, Liverpool: Liverpool University Press; reprinted with corrections, 1959, London: Cass.
    S.Miall, 1931, A History of the British Chemical Industry.
    LRD

    Biographical history of technology > Weldon, Walter

  • 4 Ferguson, Harry

    [br]
    b. 4 November 1884 County Down, Ireland
    d. 25 October 1960 England
    [br]
    Irish engineer who developed a tractor hydraulic system for cultivation equipment, and thereby revolutionized tractor design.
    [br]
    Ferguson's father was a small farmer who expected his son to help on the farm from an early age. As a result he received little formal education, and on leaving school joined his brother in a backstreet workshop in Belfast repairing motor bikes. By the age of 19 he had built his own bike and began hill-climbing competitions and racing. His successes in these ventures gained useful publicity for the workshop. In 1907 he built his own car and entered it into competitions, and in 1909 became the first person in Britain to build and fly a machine that was heavier than air.
    On the outbreak of the First World War he was appointed by the Irish Department of Agriculture to supervise the operation and maintenance of all farm tractors. His experiences convinced him that even the Ford tractor and the implements available for it were inadequate for the task, and he began to experiment with his own plough designs. The formation of the Ferguson-Sherman Corporation resulted in the production of thousands of the ploughs he had designed for the Ford tractor, but in 1928 Ford discontinued production of tractors, and Ferguson returned to Ireland. He immediately began to design his own tractor. Six years of development led to the building of a prototype that weighed only 16 cwt (813kg). In 1936 David Brown of Huddersfield, Yorkshire, began production of these tractors for Ferguson, but the partnership was not wholly successful and was dissolved after three years. In 1939 Ferguson and Ford reached their famous "Handshake agreement", in which no formal contract was signed, and the mass production of the Ford Ferguson system tractors began that year. During the next nine years 300,000 tractors and a million implements were produced under this agreement. However, on the death of Henry Ford the company began production, under his son, of their own tractor. Ferguson returned to the UK and negotiated a deal with the Standard Motor Company of Coventry for the production of his tractor. At the same time he took legal action against Ford, which resulted in that company being forced to stop production and to pay damages amounting to US$9.5 million.
    Aware that his equipment would only operate when set up properly, Ferguson established a training school at Stoneleigh in Warwickshire which was to be a model for other manufacturers. In 1953, by amicable agreement, Ferguson amalgamated with the Massey Harris Company to form Massey Ferguson, and in so doing added harvesting machinery to the range of equipment produced. A year later he disposed of his shares in the new company and turned his attention again to the motor car. Although a number of experimental cars were produced, there were no long-lasting developments from this venture other than a four-wheel-drive system based on hydraulics; this was used by a number of manufacturers on occasional models. Ferguson's death heralded the end of these developments.
    [br]
    Principal Honours and Distinctions
    Honorary DSc Queen's University, Belfast, 1948.
    Further Reading
    C.Murray, 1972, Harry Ferguson, Inventor and Pioneer. John Murray.
    AP

    Biographical history of technology > Ferguson, Harry

  • 5 Trevithick, Richard

    [br]
    b. 13 April 1771 Illogan, Cornwall, England
    d. 22 April 1833 Dartford, Kent, England
    [br]
    English engineer, pioneer of non-condensing steam-engines; designed and built the first locomotives.
    [br]
    Trevithick's father was a tin-mine manager, and Trevithick himself, after limited formal education, developed his immense engineering talent among local mining machinery and steam-engines and found employment as a mining engineer. Tall, strong and high-spirited, he was the eternal optimist.
    About 1797 it occurred to him that the separate condenser patent of James Watt could be avoided by employing "strong steam", that is steam at pressures substantially greater than atmospheric, to drive steam-engines: after use, steam could be exhausted to the atmosphere and the condenser eliminated. His first winding engine on this principle came into use in 1799, and subsequently such engines were widely used. To produce high-pressure steam, a stronger boiler was needed than the boilers then in use, in which the pressure vessel was mounted upon masonry above the fire: Trevithick designed the cylindrical boiler, with furnace tube within, from which the Cornish and later the Lancashire boilers evolved.
    Simultaneously he realized that high-pressure steam enabled a compact steam-engine/boiler unit to be built: typically, the Trevithick engine comprised a cylindrical boiler with return firetube, and a cylinder recessed into the boiler. No beam intervened between connecting rod and crank. A master patent was taken out.
    Such an engine was well suited to driving vehicles. Trevithick built his first steam-carriage in 1801, but after a few days' use it overturned on a rough Cornish road and was damaged beyond repair by fire. Nevertheless, it had been the first self-propelled vehicle successfully to carry passengers. His second steam-carriage was driven about the streets of London in 1803, even more successfully; however, it aroused no commercial interest. Meanwhile the Coalbrookdale Company had started to build a locomotive incorporating a Trevithick engine for its tramroads, though little is known of the outcome; however, Samuel Homfray's ironworks at Penydarren, South Wales, was already building engines to Trevithick's design, and in 1804 Trevithick built one there as a locomotive for the Penydarren Tramroad. In this, and in the London steam-carriage, exhaust steam was turned up the chimney to draw the fire. On 21 February the locomotive hauled five wagons with 10 tons of iron and seventy men for 9 miles (14 km): it was the first successful railway locomotive.
    Again, there was no commercial interest, although Trevithick now had nearly fifty stationary engines completed or being built to his design under licence. He experimented with one to power a barge on the Severn and used one to power a dredger on the Thames. He became Engineer to a project to drive a tunnel beneath the Thames at Rotherhithe and was only narrowly defeated, by quicksands. Trevithick then set up, in 1808, a circular tramroad track in London and upon it demonstrated to the admission-fee-paying public the locomotive Catch me who can, built to his design by John Hazledine and J.U. Rastrick.
    In 1809, by which date Trevithick had sold all his interest in the steam-engine patent, he and Robert Dickinson, in partnership, obtained a patent for iron tanks to hold liquid cargo in ships, replacing the wooden casks then used, and started to manufacture them. In 1810, however, he was taken seriously ill with typhus for six months and had to return to Cornwall, and early in 1811 the partners were bankrupt; Trevithick was discharged from bankruptcy only in 1814.
    In the meantime he continued as a steam engineer and produced a single-acting steam engine in which the cut-off could be varied to work the engine expansively by way of a three-way cock actuated by a cam. Then, in 1813, Trevithick was approached by a representative of a company set up to drain the rich but flooded silver-mines at Cerro de Pasco, Peru, at an altitude of 14,000 ft (4,300 m). Low-pressure steam engines, dependent largely upon atmospheric pressure, would not work at such an altitude, but Trevithick's high-pressure engines would. Nine engines and much other mining plant were built by Hazledine and Rastrick and despatched to Peru in 1814, and Trevithick himself followed two years later. However, the war of independence was taking place in Peru, then a Spanish colony, and no sooner had Trevithick, after immense difficulties, put everything in order at the mines then rebels arrived and broke up the machinery, for they saw the mines as a source of supply for the Spanish forces. It was only after innumerable further adventures, during which he encountered and was assisted financially by Robert Stephenson, that Trevithick eventually arrived home in Cornwall in 1827, penniless.
    He petitioned Parliament for a grant in recognition of his improvements to steam-engines and boilers, without success. He was as inventive as ever though: he proposed a hydraulic power transmission system; he was consulted over steam engines for land drainage in Holland; and he suggested a 1,000 ft (305 m) high tower of gilded cast iron to commemorate the Reform Act of 1832. While working on steam propulsion of ships in 1833, he caught pneumonia, from which he died.
    [br]
    Bibliography
    Trevithick took out fourteen patents, solely or in partnership, of which the most important are: 1802, Construction of Steam Engines, British patent no. 2,599. 1808, Stowing Ships' Cargoes, British patent no. 3,172.
    Further Reading
    H.W.Dickinson and A.Titley, 1934, Richard Trevithick. The Engineer and the Man, Cambridge; F.Trevithick, 1872, Life of Richard Trevithick, London (these two are the principal biographies).
    E.A.Forward, 1952, "Links in the history of the locomotive", The Engineer (22 February), 226 (considers the case for the Coalbrookdale locomotive of 1802).
    PJGR

    Biographical history of technology > Trevithick, Richard

  • 6 Barlow, Peter

    SUBJECT AREA: Ports and shipping
    [br]
    b. 13 October 1776 Norwich, England
    d. 1 March 1862 Kent, England
    [br]
    English mathematician, physicist and optician.
    [br]
    Barlow had little formal academic education, but by his own efforts rectified this deficiency. His contributions to various periodicals ensured that he became recognized as a man of considerable scientific understanding. In 1801, through competitive examination, he became Assistant Mathematics Master at the Royal Military Academy, Woolwich, and some years later was promoted to Professor. He resigned from this post in 1847, but retained full salary in recognition of his many public services.
    He is remembered for several notable achievements, and for some experiments designed to overcome problems such as the deviation of compasses in iron ships. Here, he proposed the use of small iron plates designed to overcome other attractions: these were used by both the British and Russian navies. Optical experiments commenced around 1827 and in later years he carried out tests to optimize the size and shape of many parts used in the railways that were spreading throughout Britain and elsewhere at that time.
    In 1814 he published mathematical tables of squares, cubes, square roots, cube roots and reciprocals of all integers from 1 to 10,000. This volume was of great value in ship design and other engineering processes where heavy numerical effort is required; it was reprinted many times, the last being in 1965 when it had been all but superseded by the calculator and the computer. In the preface to the original edition, Barlow wrote, "the only motive which prompted me to engage in this unprofitable task was the utility that I conceived might result from my labour… if I have succeeded in facilitating abstruse arithmetical calculations, then I have obtained the object in view."
    [br]
    Principal Honours and Distinctions
    FRS 1823; Copley Medal (for discoveries in magnetism) 1825. Honorary Member, Institution of Civil Engineers 1820.
    Bibliography
    1811, An Elementary Investigation of the Theory of Numbers.
    1814, Barlow's Tables (these have continued to be published until recently, one edition being in 1965 (London: Spon); later editions have taken the integers up to 12,500).
    1817, Essay on the Strength of Timber and Other Materials.
    Further Reading
    Dictionary of National Biography.
    FMW

    Biographical history of technology > Barlow, Peter

  • 7 Baudot, Jean-Maurice-Emile

    [br]
    b. 11 September 1845 Magneux, France
    d. 28 March 1903 Sceaux, France
    [br]
    French engineer who developed the multiplexed telegraph and devised a 5-bit code for data communication and control.
    [br]
    Baudot had no formal education beyond his local primary school and began his working life as a farmer, as was his father. However, in September 1869 he joined the French telegraph service and was soon sent on a course on the recently developed Hughes printing telegraph. After service in the Franco-Prussian war as a lieutenant with the military telegraph, he returned to his civilian duties in Paris in 1872. He was there encouraged to develop (in his own time!) a multiple Hughes system for time-multiplexing of several telegraph messages. By using synchronized clockwork-driven rotating switches at the transmitter and receiver he was able to transmit five messages simultaneously; the system was officially adopted by the French Post \& Telegraph Administration five years later. In 1874 he patented the idea of a 5-bit (i.e. 32-permutation) code, with equal on and off intervals, for telegraph transmission of the Roman alphabet and punctuation signs and for control of the typewriter-like teleprinter used to display the message. This code, known as the Baudot code, was found to be more economical than the existing Morse code and was widely adopted for national and international telegraphy in the twentieth century. In the 1970s it was superseded by 7—and 8-bit codes.
    Further development of his ideas on multiplexing led in 1894 to methods suitable for high-speed telegraphy. To commemorate his contribution to efficient telegraphy, the unit of signalling speed (i.e. the number of elements transmitted per second) is known as the baud.
    [br]
    Bibliography
    17 June 1874, "Système de télégraphie rapide" (Baudot's first patent).
    Further Reading
    1965, From Semaphore to Satellite, Geneva: International Telecommunications Union.
    P.Lajarrige, 1982, "Chroniques téléphoniques et télégraphiques", Collection historique des télécommunications.
    KF

    Biographical history of technology > Baudot, Jean-Maurice-Emile

  • 8 Boole, George

    [br]
    b. 2 November 1815 Lincoln, England
    d. 8 December 1864 Ballintemple, Coounty Cork, Ireland
    [br]
    English mathematician whose development of symbolic logic laid the foundations for the operating principles of modern computers.
    [br]
    Boole was the son of a tradesman, from whom he learned the principles of mathematics and optical-component manufacturing. From the early age of 16 he taught in a number of schools in West Yorkshire, and when only 20 he opened his own school in Lincoln. There, at the Mechanical Institute, he avidly read mathematical journals and the works of great mathematicians such as Lagrange, Laplace and Newton and began to tackle a variety of algebraic problems. This led to the publication of a constant stream of original papers in the newly launched Cambridge Mathematical Journal on topics in the fields of algebra and calculus, for which in 1844 he received the Royal Society Medal.
    In 1847 he wrote The Mathematical Analysis of Logic, which applied algebraic symbolism to logical forms, whereby the presence or absence of properties could be represented by binary states and combined, just like normal algebraic equations, to derive logical statements about a series of operations. This laid the foundations for the binary logic used in modern computers, which, being based on binary on-off devices, greatly depend on the use of such operations as "and", "nand" ("not and"), "or" and "nor" ("not or"), etc. Although he lacked any formal degree, this revolutionary work led to his appointment in 1849 to the Chair of Mathematics at Queen's College, Cork, where he continued his work on logic and also produce treatises on differential equations and the calculus of finite differences.
    [br]
    Principal Honours and Distinctions
    Royal Society Medal 1844. FRS 1857.
    Bibliography
    Boole's major contributions to logic available in republished form include George Boole: Investigation of the Laws of Thought, Dover Publications; George Boole: Laws of Thought, Open Court, and George Boole: Studies in Logic \& Probability, Open Court.
    1872, A Treatise on Differential Equations.
    Further Reading
    W.Kneale, 1948, "Boole and the revival of logic", Mind 57:149.
    G.C.Smith (ed.), 1982, George Boole \& Augustus de Morgan. Correspondence 1842– 1864, Oxford University Press.
    —, 1985, George Boole: His Life and Work, McHale.
    E.T.Bell, 1937, Men of Mathematics, London: Victor Gollancz.
    KF

    Biographical history of technology > Boole, George

  • 9 Brearley, Harry

    SUBJECT AREA: Metallurgy
    [br]
    b. 18 February 1871 Sheffield, England
    d. 14 July 1948 Torquay, Devon, England
    [br]
    English inventor of stainless steel.
    [br]
    Brearley was born in poor circumstances. He received little formal education and was nurtured rather in and around the works of Thomas Firth \& Sons, where his father worked in the crucible steel-melting shop. One of his first jobs was to help in their chemical laboratory where the chief chemist, James Taylor, encouraged him and helped him fit himself for a career as a steelworks chemist.
    In 1901 Brearley left Firth's to set up a laboratory at Kayser Ellison \& Co., but he returned to Firth's in 1904, when he was appointed Chief Chemist at their Riga works, and Works Manager the following year. In 1907 he returned to Sheffield to design and equip a research laboratory to serve both Firth's and John Brown \& Co. It was during his time as head of this laboratory that he made his celebrated discovery. In 1913, while seeking improved steels for rifle barrels, he used one containing 12.68 per cent chromium and 0.24 per cent carbon, in the hope that it would resist fouling and erosion. He tried to etch a specimen for microscopic examination but failed, from which he concluded that it would resist corrosion by, for example, the acids encountered in foods and cooking. The first knives made of this new steel were unsatisfactory and the 1914–18 war interrupted further research. But eventually the problems were overcome and Brearley's discovery led to a range of stainless steels with various compositions for domestic, medical and industrial uses, including the well-known "18–8" steel, with 18 per cent chromium and 8 per cent nickel.
    In 1915 Brearley left the laboratory to become Works Manager, then Technical Director, at Brown Bayley's steelworks until his retirement in 1925.
    [br]
    Principal Honours and Distinctions
    Iron and Steel Institute Bessemer Gold Medal 1920.
    Bibliography
    Brearley wrote several books, including: 1915 (?), with F.Ibbotson, The Analysis of Steelworks Materials, London.
    The Heat Treatment of Tool Steels. Ingots and Ingot Moulds.
    Later books include autobiographical details: 1946, Talks on Steelmaking, American Society for Metals.
    1941, Knotted String: Autobiography of a Steelmaker, London: Longmans, Green.
    Further Reading
    Obituary, 1948, Journal of the Iron and Steel Institute: 428–9.
    LRD

    Biographical history of technology > Brearley, Harry

  • 10 Daguerre, Louis Jacques Mandé

    [br]
    b. 18 November 1787 Carmeilles-en-Parisis, France
    d. 10 July 1851 Petit-Bry-sur-Marne, France
    [br]
    French inventor of the first practicable photographic process.
    [br]
    The son of a minor official in a magistrate's court, Daguerre showed an early aptitude for drawing. He was first apprenticed to an architect, but in 1804 he moved to Paris to learn the art of stage design. He was particularly interested in perspective and lighting, and later showed great ingenuity in lighting stage sets. Fascinated by a popular form of entertainment of the period, the panorama, he went on to create a variant of it called the diorama. It is assumed that he used a camera obscura for perspective drawings and, by purchasing it from the optician Chevalier, he made contact with Joseph Nicéphore Niepce. In 1829 Niepce and Daguerre entered into a formal partnership to perfect Niepce's heliographic process, but the partnership was dissolved when Niepce died in 1833, when only limited progress had been made. Daguerre continued experimenting alone, however, using iodine and silver plates; by 1837 he had discovered that images formed in the camera obscura could be developed by mercury vapour and fixed with a hot salt solution. After unsuccessfully attempting to sell his process, Daguerre approached F.J.D. Arago, of the Académie des Sciences, who announced the discovery in 1839. Details of Daguerre's work were not published until August of that year when the process was presented free to the world, except England. With considerable business acumen, Daguerre had quietly patented the process through an agent, Miles Berry, in London a few days earlier. He also granted a monopoly to make and sell his camera to a Monsieur Giroux, a stationer by trade who happened to be a relation of Daguerre's wife. The daguerreotype process caused a sensation when announced. Daguerre was granted a pension by a grateful government and honours were showered upon him all over the world. It was a direct positive process on silvered copper plates and, in fact, proved to be a technological dead end. The future was to lie with negative-positive photography devised by Daguerre's British contemporary, W.H.F. Talbot, although Daguerre's was the first practicable photographic process to be announced. It captured the public's imagination and in an improved form was to dominate professional photographic practice for more than a decade.
    [br]
    Principal Honours and Distinctions
    Officier de la Légion d'honneur 1839. Honorary FRS 1839. Honorary Fellow of the National Academy of Design, New York, 1839. Honorary Fellow of the Vienna Academy 1843. Pour le Mérite, bestowed by Frederick William IV of Prussia, 1843.
    Bibliography
    14 August 1839, British patent no. 8,194 (daguerrotype photographic process).
    The announcement and details of Daguerre's invention were published in both serious and popular English journals. See, for example, 1839 publications of Athenaeum, Literary Gazette, Magazine of Science and Mechanics Magazine.
    Further Reading
    H.Gernsheim and A.Gernsheim, 1956, L.J.M. Daguerre (the standard account of Daguerre's work).
    —1969, The History of Photography, rev. edn, London (a very full account).
    J.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (a very full account).
    JW

    Biographical history of technology > Daguerre, Louis Jacques Mandé

  • 11 Daimler, Gottlieb

    [br]
    b. 17 March 1834 Schorndorff, near Stuttgart, Germany
    d. 6 March 1900 Cannstatt, near Stuttgart, Germany
    [br]
    German engineer, pioneer automobile maker.
    [br]
    The son of a baker, his youthful interest in technical affairs led to his being apprenticed to a gunsmith with whom he produced his apprenticeship piece: a double-barrelled pistol with a rifled barrel and "nicely chased scrollwork", for which he received high praise. He remained there until 1852 before going to technical school in Stuttgart from 1853 to 1857. He then went to a steam-engineering company in Strasbourg to gain practical experience. He completed his formal education at Stuttgart Polytechnik, and in 1861 he left to tour France and England. There he worked in the engine-shop of Smith, Peacock \& Tanner and then with Roberts \& Co., textile machinery manufacturers of Manchester. He later moved to Coventry to work at Whitworths, and it was in that city that he was later involved with the Daimler Motor Company, who had been granted a licence by his company in Germany. In 1867 he was working at Bruderhaus Engineering Works at Reutlingen and in 1869 went to Maschinenbau Gesellschaft Karlsruhe where he became Manager and later a director. Early in the 1870s, N.A. Otto had reorganized his company into Gasmotorenfabrik Deutz and he appointed Gottlieb Daimler as Factory Manager and Wilhelm Maybach as Chief Designer. Together they developed the Otto engine to its limit, with Otto's co-operation. Daimler and Maybach had met previously when both were working at Bruderhaus. In 1875 Daimler left Deutz, taking Maybach with him to set up a factory in Stuttgart to manufacture light, high-speed internal-combustion engines. Their first patent was granted in 1883. This was for an engine fuelled by petrol and with hot tube ignition which continued to be used until Robert Bosch's low-voltage ignition became available in 1897. Two years later he produced his first vehicle, a motor cycle with outriggers. They showed a motor car at the Paris exhibition in 1889, but French manufacturers were slow to come forward and no French company could be found to undertake manufacture. Eventually Panhard and Levassor established the Daimler engine in France. Daimler Motoren GmbH was started in 1895, but soon after Daimler and Maybach parted, having provided an engine for a boat on the River Neckar in 1887 and that for the Wolfert airship in 1888. Daimler was in sole charge of the company from 1895, but his health began to decline in 1899 and he died in 1900.
    [br]
    Further Reading
    E.Johnson, 1986, The Dawn of Motoring. P.Siebetz, 1942, Gottlieb Daimler.
    IMcN

    Biographical history of technology > Daimler, Gottlieb

  • 12 Lavoisier, Antoine Laurent

    SUBJECT AREA: Chemical technology
    [br]
    b. 26 August 1743 Paris, France
    d. 8 May 1794 Paris, France
    [br]
    French founder of the modern science of chemistry.
    [br]
    As well as receiving a formal education in law and literature, Lavoisier studied science under some of the leading figures of the day. This proved to be an ideal formation of the man in whom "man of science" and "public servant" were so intimately combined. His early work towards the first geological map of France and on the water supply of Paris helped to win him election to the Royal Academy of Sciences in 1768 at the youthful age of 25. In the same year he used some of his private income to buy a part-share in the "tax farm", a private company which leased from the Government the right to collect certain indirect taxes.
    In 1772 Lavoisier began his researches into the related phenomena of combustion, respiration and the calcination or oxidation of metals. This culminated in the early 1780s in the overthrow of the prevailing theory, based on an imponderable combustion principle called "phlogiston", and the substitution of the modern explanation of these processes. At the same time, understanding of the nature of acids, bases and salts was placed on a sounder footing. More important, Lavoisier defined a chemical element in its modern sense and showed how it should be applied by drawing up the first modern list of the chemical elements. With the revolution in chemistry initiated by Lavoisier, chemists could begin to understand correctly the fundamental processes of their science. This understanding was the foundationo of the astonishing advance in scientific and industrial chemistry that has taken place since then. As an academician, Lavoisier was paid by the Government to carry out investigations into a wide variety of practical questions with a chemical bias, such as the manufacture of starch and the distillation of phosphorus. In 1775 Louis XVI ordered the setting up of the Gunpowder Commission to improve the supply and quality of gunpowder, deficiencies in which had hampered France's war efforts. Lavoisier was a member of the Commission and, as usual, took the leading part, drawing up its report and supervising its implementation. As a result, the industry became profitable, output increased so that France could even export powder, and the range of the powder increased by two-thirds. This was a material factor in France's war effort in the Revolution and the Napoleonic wars.
    As if his chemical researches and official duties were not enough, Lavoisier began to apply his scientific principles to agriculture when he purchased an estate at Frechines, near Blois. After ten years' work on his experimental farm there, Lavoisier was able to describe his results in the memoir "Results of some agricultural experiments and reflections on their relation to political economy" (Paris, 1788), which holds historic importance in agriculture and economics. In spite of his services to the nation and to humanity, his association with the tax farm was to have tragic consequences: during the reign of terror in 1794 the Revolutionaries consigned to the guillotine all the tax farmers, including Lavoisier.
    [br]
    Bibliography
    1862–93, Oeuvres de Lavoisier, Vols I–IV, ed. J.B.A.Dumas; Vols V–VI, ed. E.Grimaux, Paris (Lavoisier's collected works).
    Further Reading
    D.I.Duveen and H.S.Klickstein, 1954, A Bibliography of the Works of Antoine Laurent Lavoisier 1743–1794, London: William Dawson (contains valuable biographical material).
    D.McKie, 1952, Antoine Lavoisier, Scientist, Economist, Social Reformer, London: Constable (the best modern, general biography).
    H.Guerlac, 1975, Antoine Laurent Lavoisier, Chemist and Revolutionary, New York: Charles Scribner's Sons (a more recent work).
    LRD

    Biographical history of technology > Lavoisier, Antoine Laurent

  • 13 Leonardo da Vinci

    [br]
    b. 15 April 1452 Vinci, near Florence, Italy,
    d. 2 May 1519 St Cloux, near Amboise, France.
    [br]
    Italian scientist, engineer, inventor and artist.
    [br]
    Leonardo was the illegitimate son of a Florentine lawyer. His first sixteen years were spent with the lawyer's family in the rural surroundings of Vinci, which aroused in him a lifelong love of nature and an insatiable curiosity in it. He received little formal education but extended his knowledge through private reading. That gave him only a smattering of Latin, a deficiency that was to be a hindrance throughout his active life. At sixteen he was apprenticed in the studio of Andrea del Verrochio in Florence, where he received a training not only in art but in a wide variety of crafts and technical arts.
    In 1482 Leonardo went to Milan, where he sought and obtained employment with Ludovico Sforza, later Duke of Milan, partly to sculpt a massive equestrian statue of Ludovico but the work never progressed beyond the full-scale model stage. He did, however, complete the painting which became known as the Virgin of the Rocks and in 1497 his greatest artistic achievement, The Last Supper, commissioned jointly by Ludovico and the friars of Santa Maria della Grazie and painted on the wall of the monastery's refectory. Leonardo was responsible for the court pageants and also devised a system of irrigation to supply water to the plains of Lombardy. In 1499 the French army entered Milan and deposed Leonardo's employer. Leonardo departed and, after a brief visit to Mantua, returned to Florence, where for a time he was employed as architect and engineer to Cesare Borgia, Duke of Romagna. Around 1504 he completed another celebrated work, the Mona Lisa.
    In 1506 Leonardo began his second sojourn in Milan, this time in the service of King Louis XII of France, who appointed him "painter and engineer". In 1513 Leonardo left for Rome in the company of his pupil Francesco Melzi, but his time there was unproductive and he found himself out of touch with the younger artists active there, Michelangelo above all. In 1516 he accepted with relief an invitation from King François I of France to reside at the small château of St Cloux in the royal domain of Amboise. With the pension granted by François, Leonardo lived out his remaining years in tranquility at St Cloux.
    Leonardo's career can hardly be regarded as a success or worthy of such a towering genius. For centuries he was known only for the handful of artistic works that he managed to complete and have survived more or less intact. His main activity remained hidden until the nineteenth and twentieth centuries, during which the contents of his notebooks were gradually revealed. It became evident that Leonardo was one of the greatest scientific investigators and inventors in the history of civilization. Throughout his working life he extended a searching curiosity over an extraordinarily wide range of subjects. The notes show careful investigation of questions of mechanical and civil engineering, such as power transmission by means of pulleys and also a form of chain belting. The notebooks record many devices, such as machines for grinding and polishing lenses, a lathe operated by treadle-crank, a rolling mill with conical rollers and a spinning machine with pinion and yard divider. Leonardo made an exhaustive study of the flight of birds, with a view to designing a flying machine, which obsessed him for many years.
    Leonardo recorded his observations and conclusions, together with many ingenious inventions, on thousands of pages of manuscript notes, sketches and drawings. There are occasional indications that he had in mind the publication of portions of the notes in a coherent form, but he never diverted his energy into putting them in order; instead, he went on making notes. As a result, Leonardo's impact on the development of science and technology was virtually nil. Even if his notebooks had been copied and circulated, there were daunting impediments to their understanding. Leonardo was left-handed and wrote in mirror-writing: that is, in reverse from right to left. He also used his own abbreviations and no punctuation.
    At his death Leonardo bequeathed his entire output of notes to his friend and companion Francesco Melzi, who kept them safe until his own death in 1570. Melzi left the collection in turn to his son Orazio, whose lack of interest in the arts and sciences resulted in a sad period of dispersal which endangered their survival, but in 1636 the bulk of them, in thirteen volumes, were assembled and donated to the Ambrosian Library in Milan. These include a large volume of notes and drawings compiled from the various portions of the notebooks and is now known as the Codex Atlanticus. There they stayed, forgotten and ignored, until 1796, when Napoleon's marauding army overran Italy and art and literary works, including the thirteen volumes of Leonardo's notebooks, were pillaged and taken to Paris. After the war in 1815, the French government agreed to return them but only the Codex Atlanticus found its way back to Milan; the rest remained in Paris. The appendix to one notebook, dealing with the flight of birds, was later regarded as of sufficient importance to stand on its own. Four small collections reached Britain at various times during the seventeenth and eighteenth centuries; of these, the volume in the Royal Collection at Windsor Castle is notable for its magnificent series of anatomical drawings. Other collections include the Codex Leicester and Codex Arundel in the British Museum in London, and the Madrid Codices in Spain.
    Towards the end of the nineteenth century, Leonardo's true stature as scientist, engineer and inventor began to emerge, particularly with the publication of transcriptions and translations of his notebooks. The volumes in Paris appeared in 1881–97 and the Codex Atlanticus was published in Milan between 1894 and 1904.
    [br]
    Principal Honours and Distinctions
    "Premier peintre, architecte et mécanicien du Roi" to King François I of France, 1516.
    Further Reading
    E.MacCurdy, 1939, The Notebooks of Leonardo da Vinci, 2 vols, London; 2nd edn, 1956, London (the most extensive selection of the notes, with an English translation).
    G.Vasari (trans. G.Bull), 1965, Lives of the Artists, London: Penguin, pp. 255–271.
    C.Gibbs-Smith, 1978, The Inventions of Leonardo da Vinci, Oxford: Phaidon. L.H.Heydenreich, Dibner and L. Reti, 1981, Leonardo the Inventor, London: Hutchinson.
    I.B.Hart, 1961, The World of Leonardo da Vinci, London: Macdonald.
    LRD / IMcN

    Biographical history of technology > Leonardo da Vinci

  • 14 near cash

    !
    гос. фин. The resource budget contains a separate control total for “near cash” expenditure, that is expenditure such as pay and current grants which impacts directly on the measure of the golden rule.
    This paper provides background information on the framework for the planning and control of public expenditure in the UK which has been operated since the 1998 Comprehensive Spending Review (CSR). It sets out the different classifications of spending for budgeting purposes and why these distinctions have been adopted. It discusses how the public expenditure framework is designed to ensure both sound public finances and an outcome-focused approach to public expenditure.
    The UK's public spending framework is based on several key principles:
    "
    consistency with a long-term, prudent and transparent regime for managing the public finances as a whole;
    " "
    the judgement of success by policy outcomes rather than resource inputs;
    " "
    strong incentives for departments and their partners in service delivery to plan over several years and plan together where appropriate so as to deliver better public services with greater cost effectiveness; and
    "
    the proper costing and management of capital assets to provide the right incentives for public investment.
    The Government sets policy to meet two firm fiscal rules:
    "
    the Golden Rule states that over the economic cycle, the Government will borrow only to invest and not to fund current spending; and
    "
    the Sustainable Investment Rule states that net public debt as a proportion of GDP will be held over the economic cycle at a stable and prudent level. Other things being equal, net debt will be maintained below 40 per cent of GDP over the economic cycle.
    Achievement of the fiscal rules is assessed by reference to the national accounts, which are produced by the Office for National Statistics, acting as an independent agency. The Government sets its spending envelope to comply with these fiscal rules.
    Departmental Expenditure Limits ( DEL) and Annually Managed Expenditure (AME)
    "
    Departmental Expenditure Limit ( DEL) spending, which is planned and controlled on a three year basis in Spending Reviews; and
    "
    Annually Managed Expenditure ( AME), which is expenditure which cannot reasonably be subject to firm, multi-year limits in the same way as DEL. AME includes social security benefits, local authority self-financed expenditure, debt interest, and payments to EU institutions.
    More information about DEL and AME is set out below.
    In Spending Reviews, firm DEL plans are set for departments for three years. To ensure consistency with the Government's fiscal rules departments are set separate resource (current) and capital budgets. The resource budget contains a separate control total for “near cash” expenditure, that is expenditure such as pay and current grants which impacts directly on the measure of the golden rule.
    To encourage departments to plan over the medium term departments may carry forward unspent DEL provision from one year into the next and, subject to the normal tests for tautness and realism of plans, may be drawn down in future years. This end-year flexibility also removes any incentive for departments to use up their provision as the year end approaches with less regard to value for money. For the full benefits of this flexibility and of three year plans to feed through into improved public service delivery, end-year flexibility and three year budgets should be cascaded from departments to executive agencies and other budget holders.
    Three year budgets and end-year flexibility give those managing public services the stability to plan their operations on a sensible time scale. Further, the system means that departments cannot seek to bid up funds each year (before 1997, three year plans were set and reviewed in annual Public Expenditure Surveys). So the credibility of medium-term plans has been enhanced at both central and departmental level.
    Departments have certainty over the budgetary allocation over the medium term and these multi-year DEL plans are strictly enforced. Departments are expected to prioritise competing pressures and fund these within their overall annual limits, as set in Spending Reviews. So the DEL system provides a strong incentive to control costs and maximise value for money.
    There is a small centrally held DEL Reserve. Support from the Reserve is available only for genuinely unforeseeable contingencies which departments cannot be expected to manage within their DEL.
    AME typically consists of programmes which are large, volatile and demand-led, and which therefore cannot reasonably be subject to firm multi-year limits. The biggest single element is social security spending. Other items include tax credits, Local Authority Self Financed Expenditure, Scottish Executive spending financed by non-domestic rates, and spending financed from the proceeds of the National Lottery.
    AME is reviewed twice a year as part of the Budget and Pre-Budget Report process reflecting the close integration of the tax and benefit system, which was enhanced by the introduction of tax credits.
    AME is not subject to the same three year expenditure limits as DEL, but is still part of the overall envelope for public expenditure. Affordability is taken into account when policy decisions affecting AME are made. The Government has committed itself not to take policy measures which are likely to have the effect of increasing social security or other elements of AME without taking steps to ensure that the effects of those decisions can be accommodated prudently within the Government's fiscal rules.
    Given an overall envelope for public spending, forecasts of AME affect the level of resources available for DEL spending. Cautious estimates and the AME margin are built in to these AME forecasts and reduce the risk of overspending on AME.
    Together, DEL plus AME sum to Total Managed Expenditure (TME). TME is a measure drawn from national accounts. It represents the current and capital spending of the public sector. The public sector is made up of central government, local government and public corporations.
    Resource and Capital Budgets are set in terms of accruals information. Accruals information measures resources as they are consumed rather than when the cash is paid. So for example the Resource Budget includes a charge for depreciation, a measure of the consumption or wearing out of capital assets.
    "
    Non cash charges in budgets do not impact directly on the fiscal framework. That may be because the national accounts use a different way of measuring the same thing, for example in the case of the depreciation of departmental assets. Or it may be that the national accounts measure something different: for example, resource budgets include a cost of capital charge reflecting the opportunity cost of holding capital; the national accounts include debt interest.
    "
    Within the Resource Budget DEL, departments have separate controls on:
    "
    Near cash spending, the sub set of Resource Budgets which impacts directly on the Golden Rule; and
    "
    The amount of their Resource Budget DEL that departments may spend on running themselves (e.g. paying most civil servants’ salaries) is limited by Administration Budgets, which are set in Spending Reviews. Administration Budgets are used to ensure that as much money as practicable is available for front line services and programmes. These budgets also help to drive efficiency improvements in departments’ own activities. Administration Budgets exclude the costs of frontline services delivered directly by departments.
    The Budget preceding a Spending Review sets an overall envelope for public spending that is consistent with the fiscal rules for the period covered by the Spending Review. In the Spending Review, the Budget AME forecast for year one of the Spending Review period is updated, and AME forecasts are made for the later years of the Spending Review period.
    The 1998 Comprehensive Spending Review ( CSR), which was published in July 1998, was a comprehensive review of departmental aims and objectives alongside a zero-based analysis of each spending programme to determine the best way of delivering the Government's objectives. The 1998 CSR allocated substantial additional resources to the Government's key priorities, particularly education and health, for the three year period from 1999-2000 to 2001-02.
    Delivering better public services does not just depend on how much money the Government spends, but also on how well it spends it. Therefore the 1998 CSR introduced Public Service Agreements (PSAs). Each major government department was given its own PSA setting out clear targets for achievements in terms of public service improvements.
    The 1998 CSR also introduced the DEL/ AME framework for the control of public spending, and made other framework changes. Building on the investment and reforms delivered by the 1998 CSR, successive spending reviews in 2000, 2002 and 2004 have:
    "
    provided significant increase in resources for the Government’s priorities, in particular health and education, and cross-cutting themes such as raising productivity; extending opportunity; and building strong and secure communities;
    " "
    enabled the Government significantly to increase investment in public assets and address the legacy of under investment from past decades. Departmental Investment Strategies were introduced in SR2000. As a result there has been a steady increase in public sector net investment from less than ¾ of a per cent of GDP in 1997-98 to 2¼ per cent of GDP in 2005-06, providing better infrastructure across public services;
    " "
    introduced further refinements to the performance management framework. PSA targets have been reduced in number over successive spending reviews from around 300 to 110 to give greater focus to the Government’s highest priorities. The targets have become increasingly outcome-focused to deliver further improvements in key areas of public service delivery across Government. They have also been refined in line with the conclusions of the Devolving Decision Making Review to provide a framework which encourages greater devolution and local flexibility. Technical Notes were introduced in SR2000 explaining how performance against each PSA target will be measured; and
    "
    not only allocated near cash spending to departments, but also – since SR2002 - set Resource DEL plans for non cash spending.
    To identify what further investments and reforms are needed to equip the UK for the global challenges of the decade ahead, on 19 July 2005 the Chief Secretary to the Treasury announced that the Government intends to launch a second Comprehensive Spending Review (CSR) reporting in 2007.
    A decade on from the first CSR, the 2007 CSR will represent a long-term and fundamental review of government expenditure. It will cover departmental allocations for 2008-09, 2009-10 and 2010 11. Allocations for 2007-08 will be held to the agreed figures already announced by the 2004 Spending Review. To provide a rigorous analytical framework for these departmental allocations, the Government will be taking forward a programme of preparatory work over 2006 involving:
    "
    an assessment of what the sustained increases in spending and reforms to public service delivery have achieved since the first CSR. The assessment will inform the setting of new objectives for the decade ahead;
    " "
    an examination of the key long-term trends and challenges that will shape the next decade – including demographic and socio-economic change, globalisation, climate and environmental change, global insecurity and technological change – together with an assessment of how public services will need to respond;
    " "
    to release the resources needed to address these challenges, and to continue to secure maximum value for money from public spending over the CSR period, a set of zero-based reviews of departments’ baseline expenditure to assess its effectiveness in delivering the Government’s long-term objectives; together with
    "
    further development of the efficiency programme, building on the cross cutting areas identified in the Gershon Review, to embed and extend ongoing efficiency savings into departmental expenditure planning.
    The 2007 CSR also offers the opportunity to continue to refine the PSA framework so that it drives effective delivery and the attainment of ambitious national standards.
    Public Service Agreements (PSAs) were introduced in the 1998 CSR. They set out agreed targets detailing the outputs and outcomes departments are expected to deliver with the resources allocated to them. The new spending regime places a strong emphasis on outcome targets, for example in providing for better health and higher educational standards or service standards. The introduction in SR2004 of PSA ‘standards’ will ensure that high standards in priority areas are maintained.
    The Government monitors progress against PSA targets, and departments report in detail twice a year in their annual Departmental Reports (published in spring) and in their autumn performance reports. These reports provide Parliament and the public with regular updates on departments’ performance against their targets.
    Technical Notes explain how performance against each PSA target will be measured.
    To make the most of both new investment and existing assets, there needs to be a coherent long term strategy against which investment decisions are taken. Departmental Investment Strategies (DIS) set out each department's plans to deliver the scale and quality of capital stock needed to underpin its objectives. The DIS includes information about the department's existing capital stock and future plans for that stock, as well as plans for new investment. It also sets out the systems that the department has in place to ensure that it delivers its capital programmes effectively.
    This document was updated on 19 December 2005.
    Near-cash resource expenditure that has a related cash implication, even though the timing of the cash payment may be slightly different. For example, expenditure on gas or electricity supply is incurred as the fuel is used, though the cash payment might be made in arrears on aquarterly basis. Other examples of near-cash expenditure are: pay, rental.Net cash requirement the upper limit agreed by Parliament on the cash which a department may draw from theConsolidated Fund to finance the expenditure within the ambit of its Request forResources. It is equal to the agreed amount of net resources and net capital less non-cashitems and working capital.Non-cash cost costs where there is no cash transaction but which are included in a body’s accounts (or taken into account in charging for a service) to establish the true cost of all the resourcesused.Non-departmental a body which has a role in the processes of government, but is not a government public body, NDPBdepartment or part of one. NDPBs accordingly operate at arm’s length from governmentMinisters.Notional cost of a cost which is taken into account in setting fees and charges to improve comparability with insuranceprivate sector service providers.The charge takes account of the fact that public bodies donot generally pay an insurance premium to a commercial insurer.the independent body responsible for collecting and publishing official statistics about theUK’s society and economy. (At the time of going to print legislation was progressing tochange this body to the Statistics Board).Office of Government an office of the Treasury, with a status similar to that of an agency, which aims to maximise Commerce, OGCthe government’s purchasing power for routine items and combine professional expertiseto bear on capital projects.Office of the the government department responsible for discharging the Paymaster General’s statutoryPaymaster General,responsibilities to hold accounts and make payments for government departments and OPGother public bodies.Orange bookthe informal title for Management of Risks: Principles and Concepts, which is published by theTreasury for the guidance of public sector bodies.Office for NationalStatistics, ONS60Managing Public Money
    ————————————————————————————————————————
    "
    GLOSSARYOverdraftan account with a negative balance.Parliament’s formal agreement to authorise an activity or expenditure.Prerogative powerspowers exercisable under the Royal Prerogative, ie powers which are unique to the Crown,as contrasted with common-law powers which may be available to the Crown on the samebasis as to natural persons.Primary legislationActs which have been passed by the Westminster Parliament and, where they haveappropriate powers, the Scottish Parliament and the Northern Ireland Assembly. Begin asBills until they have received Royal Assent.arrangements under which a public sector organisation contracts with a private sectorentity to construct a facility and provide associated services of a specified quality over asustained period. See annex 7.5.Proprietythe principle that patterns of resource consumption should respect Parliament’s intentions,conventions and control procedures, including any laid down by the PAC. See box 2.4.Public Accountssee Committee of Public Accounts.CommitteePublic corporationa trading body controlled by central government, local authority or other publiccorporation that has substantial day to day operating independence. See section 7.8.Public Dividend finance provided by government to public sector bodies as an equity stake; an alternative to Capital, PDCloan finance.Public Service sets out what the public can expect the government to deliver with its resources. EveryAgreement, PSAlarge government department has PSA(s) which specify deliverables as targets or aimsrelated to objectives.a structured arrangement between a public sector and a private sector organisation tosecure an outcome delivering good value for money for the public sector. It is classified tothe public or private sector according to which has more control.Rate of returnthe financial remuneration delivered by a particular project or enterprise, expressed as apercentage of the net assets employed.Regularitythe principle that resource consumption should accord with the relevant legislation, therelevant delegated authority and this document. See box 2.4.Request for the functional level into which departmental Estimates may be split. RfRs contain a number Resources, RfRof functions being carried out by the department in pursuit of one or more of thatdepartment’s objectives.Resource accountan accruals account produced in line with the Financial Reporting Manual (FReM).Resource accountingthe system under which budgets, Estimates and accounts are constructed in a similar wayto commercial audited accounts, so that both plans and records of expenditure allow in fullfor the goods and services which are to be, or have been, consumed – ie not just the cashexpended.Resource budgetthe means by which the government plans and controls the expenditure of resources tomeet its objectives.Restitutiona legal concept which allows money and property to be returned to its rightful owner. Ittypically operates where another person can be said to have been unjustly enriched byreceiving such monies.Return on capital the ratio of profit to capital employed of an accounting entity during an identified period.employed, ROCEVarious measures of profit and of capital employed may be used in calculating the ratio.Public Privatepartnership, PPPPrivate Finance Initiative, PFIParliamentaryauthority61Managing Public Money
    "
    ————————————————————————————————————————
    GLOSSARYRoyal charterthe document setting out the powers and constitution of a corporation established underprerogative power of the monarch acting on Privy Council advice.Second readingthe second formal time that a House of Parliament may debate a bill, although in practicethe first substantive debate on its content. If successful, it is deemed to denoteParliamentary approval of the principle of the proposed legislation.Secondary legislationlaws, including orders and regulations, which are made using powers in primary legislation.Normally used to set out technical and administrative provision in greater detail thanprimary legislation, they are subject to a less intense level of scrutiny in Parliament.European legislation is,however,often implemented in secondary legislation using powers inthe European Communities Act 1972.Service-level agreement between parties, setting out in detail the level of service to be performed.agreementWhere agreements are between central government bodies, they are not legally a contractbut have a similar function.Shareholder Executive a body created to improve the government’s performance as a shareholder in businesses.Spending reviewsets out the key improvements in public services that the public can expect over a givenperiod. It includes a thorough review of departmental aims and objectives to find the bestway of delivering the government’s objectives, and sets out the spending plans for the givenperiod.State aidstate support for a domestic body or company which could distort EU competition and sois not usually allowed. See annex 4.9.Statement of Excessa formal statement detailing departments’ overspends prepared by the Comptroller andAuditor General as a result of undertaking annual audits.Statement on Internal an annual statement that Accounting Officers are required to make as part of the accounts Control, SICon a range of risk and control issues.Subheadindividual elements of departmental expenditure identifiable in Estimates as single cells, forexample cell A1 being administration costs within a particular line of departmental spending.Supplyresources voted by Parliament in response to Estimates, for expenditure by governmentdepartments.Supply Estimatesa statement of the resources the government needs in the coming financial year, and forwhat purpose(s), by which Parliamentary authority is sought for the planned level ofexpenditure and income.Target rate of returnthe rate of return required of a project or enterprise over a given period, usually at least a year.Third sectorprivate sector bodies which do not act commercially,including charities,social and voluntaryorganisations and other not-for-profit collectives. See annex 7.7.Total Managed a Treasury budgeting term which covers all current and capital spending carried out by the Expenditure,TMEpublic sector (ie not just by central departments).Trading fundan organisation (either within a government department or forming one) which is largely orwholly financed from commercial revenue generated by its activities. Its Estimate shows itsnet impact, allowing its income from receipts to be devoted entirely to its business.Treasury Minutea formal administrative document drawn up by the Treasury, which may serve a wide varietyof purposes including seeking Parliamentary approval for the use of receipts asappropriations in aid, a remission of some or all of the principal of voted loans, andresponding on behalf of the government to reports by the Public Accounts Committee(PAC).62Managing Public Money
    ————————————————————————————————————————
    GLOSSARY63Managing Public MoneyValue for moneythe process under which organisation’s procurement, projects and processes aresystematically evaluated and assessed to provide confidence about suitability, effectiveness,prudence,quality,value and avoidance of error and other waste,judged for the public sectoras a whole.Virementthe process through which funds are moved between subheads such that additionalexpenditure on one is met by savings on one or more others.Votethe process by which Parliament approves funds in response to supply Estimates.Voted expenditureprovision for expenditure that has been authorised by Parliament. Parliament ‘votes’authority for public expenditure through the Supply Estimates process. Most expenditureby central government departments is authorised in this way.Wider market activity activities undertaken by central government organisations outside their statutory duties,using spare capacity and aimed at generating a commercial profit. See annex 7.6.Windfallmonies received by a department which were not anticipated in the spending review.
    ————————————————————————————————————————

    Англо-русский экономический словарь > near cash

  • 15 one

    [wʌn] 1.
    1) (single) un, uno

    one book, dog — un libro, un cane

    2) (unique, sole) solo, unico

    he's the one person who... — è l'unica persona che...

    3) (same) stesso
    2.
    1) (indefinite) uno m., una f.

    one of them (person) uno di loro; (thing) uno di essi

    he's one of us — è uno di noi, è dei nostri

    one might think thatsi o uno potrebbe credere che

    I'm not one for doingnon sono uno o il tipo che fa

    he's a clever oneè uno intelligente o un tipo intelligente

    you're a one!colloq. sei un bel tipo!

    "who disagrees?" - "I for one!" — "chi non è d'accordo?" - "io, per esempio"

    the blue one, ones quello blu, quelli blu; this one, that one questo qui, quello là; which one? quale? that's the one è quello (là); he's the one who — è (lui) quello che

    6) colloq. (drink)
    7) colloq. (joke)

    have you heard the one about...? — hai sentito quella di...?

    8) colloq. (blow)

    to land sb. one — mollarne uno a qcn

    9) colloq. (question, problem)

    knit one, purl one — un diritto, un rovescio

    12)

    as one — [ rise] come un sol uomo; [ reply] all'unisono

    13)

    in one to down a drink in one buttare giù una bevanda in un sorso solo; you've got it in one — l'hai trovato subito

    14)

    one by one — [pick up, wash] uno per uno, uno a uno

    3.
    nome (number) uno m.
    ••

    to be one up on sb. — colloq. essere in vantaggio rispetto a qcn.

    to go one better than sb. — fare meglio di qcn.

    ••
    Note:
    When one is used impersonally as an indefinite pronoun, it is translated by si or uno when it is the subject of the verb: one never knows = non si sa mai; one would like to think that... = uno vorrebbe credere che... When one is the object of the verb or comes after a preposition, it is usually translated by te o ti: it can make one ill = ti può far ammalare. - When used as an indefinite pronoun, one is very formal; it is only used when you do not mean any one person in particular, in very general statements, stock phrases and proverbs: one must eat to live, not live to eat = si deve mangiare per vivere, non vivere per mangiare; one has to look after one's health = ci si deve preoccupare della propria salute. - As a consequence, one is very often substituted with you: you can do as you like here = qui si può fare quello che si vuole. - One and its plural form ones are used instead of a noun that has already been mentioned, and after this and that: "which of these books do you want?" "the big one, please" = "quale di questi libri vuoi?" "quello grosso, per favore"; I need some new ones = ne ho bisogno di nuovi; give me that one, not this one = dammi quello, non questo. - One and ones, however, are not used after these and those, the genitive case, and cardinal numbers: I want these = voglio questi; I won't drive my car, I'll get there in John's = non userò la mia macchina, ci andrò con quella di John; I'll take four = ne prendo quattro. - For more examples and all other uses, see the entry below., 1, 4
    * * *
    1. noun
    1) (the number or figure 1: One and one is two (1 + 1 = 2).) uno
    2) (the age of 1: Babies start to talk at one.) un anno
    2. pronoun
    1) (a single person or thing: She's the one I like the best; I'll buy the red one.)
    2) (anyone; any person: One can see the city from here.)
    3. adjective
    1) (1 in number: one person; He took one book.) un, una
    2) (aged 1: The baby will be one tomorrow.) un anno
    3) (of the same opinion etc: We are one in our love of freedom.) concorde
    - oneself
    - one-night stand
    - one-off
    - one-parent family
    - one-sided
    - one-way
    - one-year-old
    4. adjective
    ((of a person, animal or thing) that is one year old.) di un anno
    - be one up on a person
    - be one up on
    - not be oneself
    - one and all
    - one another
    - one by one
    - one or two
    * * *
    [wʌn] 1.
    1) (single) un, uno

    one book, dog — un libro, un cane

    2) (unique, sole) solo, unico

    he's the one person who... — è l'unica persona che...

    3) (same) stesso
    2.
    1) (indefinite) uno m., una f.

    one of them (person) uno di loro; (thing) uno di essi

    he's one of us — è uno di noi, è dei nostri

    one might think thatsi o uno potrebbe credere che

    I'm not one for doingnon sono uno o il tipo che fa

    he's a clever oneè uno intelligente o un tipo intelligente

    you're a one!colloq. sei un bel tipo!

    "who disagrees?" - "I for one!" — "chi non è d'accordo?" - "io, per esempio"

    the blue one, ones quello blu, quelli blu; this one, that one questo qui, quello là; which one? quale? that's the one è quello (là); he's the one who — è (lui) quello che

    6) colloq. (drink)
    7) colloq. (joke)

    have you heard the one about...? — hai sentito quella di...?

    8) colloq. (blow)

    to land sb. one — mollarne uno a qcn

    9) colloq. (question, problem)

    knit one, purl one — un diritto, un rovescio

    12)

    as one — [ rise] come un sol uomo; [ reply] all'unisono

    13)

    in one to down a drink in one buttare giù una bevanda in un sorso solo; you've got it in one — l'hai trovato subito

    14)

    one by one — [pick up, wash] uno per uno, uno a uno

    3.
    nome (number) uno m.
    ••

    to be one up on sb. — colloq. essere in vantaggio rispetto a qcn.

    to go one better than sb. — fare meglio di qcn.

    ••
    Note:
    When one is used impersonally as an indefinite pronoun, it is translated by si or uno when it is the subject of the verb: one never knows = non si sa mai; one would like to think that... = uno vorrebbe credere che... When one is the object of the verb or comes after a preposition, it is usually translated by te o ti: it can make one ill = ti può far ammalare. - When used as an indefinite pronoun, one is very formal; it is only used when you do not mean any one person in particular, in very general statements, stock phrases and proverbs: one must eat to live, not live to eat = si deve mangiare per vivere, non vivere per mangiare; one has to look after one's health = ci si deve preoccupare della propria salute. - As a consequence, one is very often substituted with you: you can do as you like here = qui si può fare quello che si vuole. - One and its plural form ones are used instead of a noun that has already been mentioned, and after this and that: "which of these books do you want?" "the big one, please" = "quale di questi libri vuoi?" "quello grosso, per favore"; I need some new ones = ne ho bisogno di nuovi; give me that one, not this one = dammi quello, non questo. - One and ones, however, are not used after these and those, the genitive case, and cardinal numbers: I want these = voglio questi; I won't drive my car, I'll get there in John's = non userò la mia macchina, ci andrò con quella di John; I'll take four = ne prendo quattro. - For more examples and all other uses, see the entry below., 1, 4

    English-Italian dictionary > one

  • 16 who

    hu:
    1. pronoun
    ((used as the subject of a verb) what person(s)(?): Who is that woman in the green hat?; Who did that?; Who won?; Do you know who all these people are?) quién, quiénes

    2. relative pronoun
    1) ((used to refer to a person or people mentioned previously to distinguish him or them from others: used as the subject of a verb: usually replaceable by that) (the) one(s) that: The man who/that telephoned was a friend of yours; A doctor is a person who looks after people's health.)
    2) (used, after a comma, to introduce a further comment on a person or people: His mother, who was so proud, gave him a hug.) que

    3. pronoun
    1) (no matter who: Whoever rings, tell him/them I'm out.)
    2) ((also who ever) used in questions to express surprise etc: Whoever said that?) quienquiera que, cualquiera que

    4. relative pronoun
    (used as the object of a verb or preposition but in everyday speech sometimes replaced by who)
    1) ((used to refer to a person or people mentioned previously, to distinguish him or them from others: able to be omitted or replaced by that except when following a preposition) (the) one(s) that: The man (whom/that) you mentioned is here; Today I met some friends (whom/that) I hadn't seen for ages; This is the man to whom I gave it; This is the man (whom/who/that) I gave it to.)
    2) (used, after a comma, to introduce a further comment on a person or people: His mother, who was so proud of him, gave him a hug.) que, quien, quienes
    who pron
    1. quién
    who was at the party? ¿quién había en la fiesta?
    2. que
    tr['dʌbəljʊː'eɪʧ'əʊ]
    1 ( World Health Organization) Organización Mundial de la Salud; (abbreviation) OMS nombre femenino
    who ['hu:] pron
    who is that?: ¿quién es ése?
    who did it?: ¿quién lo hizo?
    we know who they are: sabemos quiénes son
    the lady who lives there: la señora que vive allí
    for those who wait: para los que esperan, para quienes esperan
    pron.
    cual pron.
    el que pron.
    que pron.
    quien pron.
    quién pron.
    noun (= World Health Organization) OMS f
    [huː]
    1. PRON

    who is it? — ¿quién es?

    who are they? — ¿quiénes son?

    who are you looking for? — ¿a quién buscas?

    who does she think she is? * — ¿quién se cree que es?

    guess who! — ¡a ver si adivinas quién soy!

    who should it be but Neil! — ¿a que no sabes quién era? ¡Neil!, ¡no era otro que Neil!

    3) (relative) que; (after preposition) el/la que, quien, el/la cual more frm

    the girl who you spoke to has since left the companyla chica con la que or con quien or more frm con la cual hablaste ya no trabaja en la empresa

    he who wishes to... — el que desee...

    2.
    CPD

    Who's Who N(=book) libro que contiene una lista de británicos famosos y destacados

    their client list reads like a celebrity Who's Who — su lista de clientes incluye a todos los que son alguien en el mundo de la fama

    WHO, WHOM
    In direct and indirect questions
    In direct and indirect questions as well as after expressions of (un)certainty and doubt (e.g. no ), translate who using quién/quiénes w hen it is the subject of a verb:
    Who broke the window? ¿Quién rompió la ventana?
    She had no idea who her real parents were Ignoraba quiénes eran sus verdaderos padres ► When who/ whom is the object of a verb or preposition, translate using quién/quiénes p receded by personal a or another preposition as relevant:
    Who(m) did you call? ¿A quién llamaste?
    Who(m) is she going to marry? ¿Con quién se va a casar?
    You must tell me who you are going to go out with Tienes que decirme con quién/quiénes vas a salir
    In exclamations
    Translate using quién/quiénes w ith an accent as in the interrogative form:
    Who would have thought it! ¡Quién lo hubiera pensado!
    As relative
    When who/ whom follows the noun it refers to, the most common translation is que:
    Do you recognize the three girls who have just come in? ¿Reconoces a las tres chicas que acaban de entrar?
    Peter, who was at the match, has told me all about it Peter, que estuvo en el partido, me lo ha contado todo
    That man (who(m)) you saw wasn't my father El hombre que viste no era mi padre NOTE: Personal a is not used before que.
    "Who" as subject of a verb
    When who is the subject, que can sometimes be substituted by el cual/ la cual or quien (singular) and los cuales/ las cuales or quienes (plural). This can help avoid ambiguity:
    I bumped into Ian and Sue, who had just come back from Madrid Me encontré con Ian y con Sue, la cual or quien acababa de regresar de Madrid ► Only que is possible in cases where subject who can be substituted by that, i.e. where who defines the person in question and the sentence does not make sense if you omit the who clause:
    The little boy who won the cycle race is Sarah's nephew El niñito que ganó la carrera ciclista es el sobrino de Sarah
    "Who(m)" as object of a verb or preposition
    When who (m) is the object of a verb, you can translate it using que as above. Alternatively, especially in formal language, use personal a + quien/ quienes or personal a + ((article)) + cual/ cuales {etc} or personal a + ((article)) + que:
    The woman (who or whom) you're describing is my music teacher La señora que or a quien or a la cual or a la que describes es mi profesora de música
    "Who(m)" as object of a preposition
    After prepositions, you should usually use que or cual preceded by the article or quien:
    This is the girl (who or whom) I talked to you about esta es la chica de la que or de la cual or de quien te hablé For further uses and examples, see who, whom
    * * *
    noun (= World Health Organization) OMS f

    English-spanish dictionary > who

  • 17 what

    what [wɒt]
    ━━━━━━━━━━━━━━━━━
    ━━━━━━━━━━━━━━━━━
       a. (in questions and indirect speech) quel m, quelle f quels mpl, quelles fpl
    what time is it? quelle heure est-il ?
    what flavours do you want? quels parfums voulez-vous ?
    what subjects did you choose? quelles matières as-tu choisies ?
       c. (exclamations) what a nice surprise! quelle bonne surprise !
    what a ridiculous suggestion! quelle suggestion ridicule !
    what a nightmare! quel cauchemar !
    what a nuisance! quelle barbe ! (inf)
    what a lot of people! que de monde !
    what lovely hair you've got! quels jolis cheveux tu as !
       a. (used alone, or in emphatic position) quoi
    what? I didn't get that quoi ? je n'ai pas compris
    I've forgotten something -- what? j'ai oublié quelque chose -- quoi ?
    he's getting married -- what! il se marie -- quoi !
    what! you expect me to believe that! quoi ! et tu penses que je vais croire ça !
    ━━━━━━━━━━━━━━━━━
    quoi is used with a preposition, if the French verb requires one.
    ━━━━━━━━━━━━━━━━━
    I've just thought of something -- what? je viens de penser à quelque chose -- à quoi ?
    I've just remembered something -- what? je viens de me souvenir de quelque chose -- de quoi ?
    you what? (inf!) (British) quoi !
    what's happened? qu'est-ce qui s'est passé ?
    what's bothering you? qu'est-ce qui te préoccupe ?
    what's for dinner? qu'est-ce qu'il y a pour dîner ?
    what is his address? quelle est son adresse ?
    what's the French for "pen"? comment dit-on « pen » en français ?
    what is this called? comment ça s'appelle ?
    ━━━━━━━━━━━━━━━━━
    ► When asking for a definition or explanation, c'est quoi is often used in spoken French.
    ━━━━━━━━━━━━━━━━━
    what are capers? c'est quoi, les câpres ?
    what's that noise? c'est quoi, ce bruit ?
    what's that? (asking about sth) c'est quoi ? ; ( = what did you say) comment ?
    ━━━━━━━━━━━━━━━━━
    ► The object pronoun que is more formal than qu'est-ce que and requires inversion of verb and pronoun.
    ━━━━━━━━━━━━━━━━━
    what did you do? qu'avez-vous fait ?
    ━━━━━━━━━━━━━━━━━
    ► The French preposition cannot be separated from the pronoun.
    ━━━━━━━━━━━━━━━━━
    what does he owe his success to? à quoi doit-il son succès ?
    what were you talking about? de quoi parliez-vous ?
       d. ( = which in particular) quel m, quelle f quels mpl, quelles fpl
    what's the best time to call? quel est le meilleur moment pour vous joindre ?
    what are the advantages? quels sont les avantages ?
       e. ( = how much) combien
    what will it cost? ça va coûter combien ?
    what does it weigh? ça pèse combien ?
    what do 2 and 2 make? combien font 2 et 2 ?
    what does it matter? qu'est-ce que ça peut bien faire ?
    ━━━━━━━━━━━━━━━━━
    ► If the French verb takes a preposition, what is translated by quoi.
    ━━━━━━━━━━━━━━━━━
    ━━━━━━━━━━━━━━━━━
    quoi is used when what ends the sentence.
    ━━━━━━━━━━━━━━━━━
       g. (in relative clauses) ( = that which) (subject of verb) ce qui ; (object of verb) ce que ; (object of verb taking "de") ce dont ; (object of verb taking "à") ce à quoi
    what I don't understand is... ce que je ne comprends pas c'est...
    what I need is... ce dont j'ai besoin c'est...
    ━━━━━━━━━━━━━━━━━
    ► When what means the ones which, the French pronoun is generally plural.
    ━━━━━━━━━━━━━━━━━
    and what...
    and what not (inf) et ceteraor what? (inf!)
    are you coming or what? tu viens ou quoi ? (inf)
    I mean, is that sick, or what? il faut vraiment être malade ! (inf) tell you what (inf)
    tell you what, let's stay here another day j'ai une idée: si on restait un jour de plus ? what about
    what about people who haven't got cars? et les gens qui n'ont pas de voiture ?
    what about going to the cinema? si on allait au cinéma ?what for? pourquoi ?
    what did you do that for? pourquoi avez-vous fait ça ?
    what if this doesn't work out? et si ça ne marchait pas ?
    what if he says no? et s'il refuse ? what of
    but what of the country's political leaders? et les dirigeants politiques du pays ?
    what of it? (inf) et alors ? what's what (inf)
    I've done this job long enough to know what's what je fais ce travail depuis assez longtemps pour savoir de quoi il retourne what with
    what with the stress and lack of sleep, I was in a terrible state entre le stress et le manque de sommeil, j'étais dans un état lamentable
    * * *
    [wɒt], US [hwɒt] 1.
    1) ( what exactly) ( as subject) qu'est-ce qui; ( as object) que, qu'est-ce que; ( with prepositions) quoi

    what for? — ( why) pourquoi?; ( concerning what) à propos de quoi?

    what's this called in Flemish? —

    what's the use? — ( enquiringly) à quoi bon?; ( exasperatedly) à quoi ça sert?

    3) ( whatever)
    4) ( in clauses) ( as subject) ce qui; ( as object) ce que, (before vowel) ce qu'

    this is what is called a ‘monocle’ — c'est ce qu'on appelle un ‘monocle’

    and what's worse ou better — et en plus

    5) (colloq) ( when guessing)

    it'll cost, what, £50 — ça coutera, quoi, dans les 50 livres?

    what's that? —

    2.
    1) ( which) quel/quelle/quels/quelles
    2) ( in exclamations) quel/quelle

    what use is that?lit, fig à quoi ça sert?

    what money he earns he spends — tout ce qu'il gagne, il le dépense

    what little she has — le peu qu'elle a, tout ce qu'elle a

    3.
    what about prepositional phrase

    what about the letter they sent? — et la lettre qu'ils ont envoyée, alors?

    3) ( in reply)

    ‘what about your sister?’ - ‘what about her?’ — ‘et ta sœur?’ - ‘quoi ma sœur?’

    4.
    what if prepositional phrase et si
    5.
    what with prepositional phrase
    6.
    exclamation quoi!, comment!
    ••

    to give somebody what for — (colloq) GB passer un savon (colloq) à quelqu'un

    well, what do you know — iron tout arrive

    what do you think I am! — (colloq) tu me prends pour quoi!

    what's it to you? — (colloq) en quoi ça vous regarde?

    English-French dictionary > what

  • 18 Thinking

       But what then am I? A thing which thinks. What is a thing which thinks? It is a thing which doubts, understands, [conceives], affirms, denies, wills, refuses, which also imagines and feels. (Descartes, 1951, p. 153)
       I have been trying in all this to remove the temptation to think that there "must be" a mental process of thinking, hoping, wishing, believing, etc., independent of the process of expressing a thought, a hope, a wish, etc.... If we scrutinize the usages which we make of "thinking," "meaning," "wishing," etc., going through this process rids us of the temptation to look for a peculiar act of thinking, independent of the act of expressing our thoughts, and stowed away in some particular medium. (Wittgenstein, 1958, pp. 41-43)
       Analyse the proofs employed by the subject. If they do not go beyond observation of empirical correspondences, they can be fully explained in terms of concrete operations, and nothing would warrant our assuming that more complex thought mechanisms are operating. If, on the other hand, the subject interprets a given correspondence as the result of any one of several possible combinations, and this leads him to verify his hypotheses by observing their consequences, we know that propositional operations are involved. (Inhelder & Piaget, 1958, p. 279)
       In every age, philosophical thinking exploits some dominant concepts and makes its greatest headway in solving problems conceived in terms of them. The seventeenth- and eighteenth-century philosophers construed knowledge, knower, and known in terms of sense data and their association. Descartes' self-examination gave classical psychology the mind and its contents as a starting point. Locke set up sensory immediacy as the new criterion of the real... Hobbes provided the genetic method of building up complex ideas from simple ones... and, in another quarter, still true to the Hobbesian method, Pavlov built intellect out of conditioned reflexes and Loeb built life out of tropisms. (S. Langer, 1962, p. 54)
       Experiments on deductive reasoning show that subjects are influenced sufficiently by their experience for their reasoning to differ from that described by a purely deductive system, whilst experiments on inductive reasoning lead to the view that an understanding of the strategies used by adult subjects in attaining concepts involves reference to higher-order concepts of a logical and deductive nature. (Bolton, 1972, p. 154)
       There are now machines in the world that think, that learn and create. Moreover, their ability to do these things is going to increase rapidly until-in the visible future-the range of problems they can handle will be coextensive with the range to which the human mind has been applied. (Newell & Simon, quoted in Weizenbaum, 1976, p. 138)
       But how does it happen that thinking is sometimes accompanied by action and sometimes not, sometimes by motion, and sometimes not? It looks as if almost the same thing happens as in the case of reasoning and making inferences about unchanging objects. But in that case the end is a speculative proposition... whereas here the conclusion which results from the two premises is an action.... I need covering; a cloak is a covering. I need a cloak. What I need, I have to make; I need a cloak. I have to make a cloak. And the conclusion, the "I have to make a cloak," is an action. (Nussbaum, 1978, p. 40)
       It is well to remember that when philosophy emerged in Greece in the sixth century, B.C., it did not burst suddenly out of the Mediterranean blue. The development of societies of reasoning creatures-what we call civilization-had been a process to be measured not in thousands but in millions of years. Human beings became civilized as they became reasonable, and for an animal to begin to reason and to learn how to improve its reasoning is a long, slow process. So thinking had been going on for ages before Greece-slowly improving itself, uncovering the pitfalls to be avoided by forethought, endeavoring to weigh alternative sets of consequences intellectually. What happened in the sixth century, B.C., is that thinking turned round on itself; people began to think about thinking, and the momentous event, the culmination of the long process to that point, was in fact the birth of philosophy. (Lipman, Sharp & Oscanyan, 1980, p. xi)
       The way to look at thought is not to assume that there is a parallel thread of correlated affects or internal experiences that go with it in some regular way. It's not of course that people don't have internal experiences, of course they do; but that when you ask what is the state of mind of someone, say while he or she is performing a ritual, it's hard to believe that such experiences are the same for all people involved.... The thinking, and indeed the feeling in an odd sort of way, is really going on in public. They are really saying what they're saying, doing what they're doing, meaning what they're meaning. Thought is, in great part anyway, a public activity. (Geertz, quoted in J. Miller, 1983, pp. 202-203)
       Everything should be made as simple as possible, but not simpler. (Einstein, quoted in Minsky, 1986, p. 17)
       What, in effect, are the conditions for the construction of formal thought? The child must not only apply operations to objects-in other words, mentally execute possible actions on them-he must also "reflect" those operations in the absence of the objects which are replaced by pure propositions. Thus, "reflection" is thought raised to the second power. Concrete thinking is the representation of a possible action, and formal thinking is the representation of a representation of possible action.... It is not surprising, therefore, that the system of concrete operations must be completed during the last years of childhood before it can be "reflected" by formal operations. In terms of their function, formal operations do not differ from concrete operations except that they are applied to hypotheses or propositions [whose logic is] an abstract translation of the system of "inference" that governs concrete operations. (Piaget, quoted in Minsky, 1986, p. 237)
       [E]ven a human being today (hence, a fortiori, a remote ancestor of contemporary human beings) cannot easily or ordinarily maintain uninterrupted attention on a single problem for more than a few tens of seconds. Yet we work on problems that require vastly more time. The way we do that (as we can observe by watching ourselves) requires periods of mulling to be followed by periods of recapitulation, describing to ourselves what seems to have gone on during the mulling, leading to whatever intermediate results we have reached. This has an obvious function: namely, by rehearsing these interim results... we commit them to memory, for the immediate contents of the stream of consciousness are very quickly lost unless rehearsed.... Given language, we can describe to ourselves what seemed to occur during the mulling that led to a judgment, produce a rehearsable version of the reaching-a-judgment process, and commit that to long-term memory by in fact rehearsing it. (Margolis, 1987, p. 60)

    Historical dictionary of quotations in cognitive science > Thinking

  • 19 that

    that [ðæt, ðət]
    ━━━━━━━━━━━━━━━━━
    ━━━━━━━━━━━━━━━━━
    (plural those)
       a. (unstressed) ce ; (masculine before vowel and silent "h") cet, cette f ces mfpl
    what about that £20 I lent you? et ces 20 livres que je t'ai prêtées ?
       b. (stressed, or as opposed to this, these) ce...-là, cet...-là cette...-là, ces...-là
    but that Saturday... mais ce samedi-là...
    which video do you want? -- that one quelle vidéo veux-tu ? -- celle-là
    of all his records, I like that one best de tous ses disques, c'est celui-là que je préfère
       a. (singular) ( = that thing, event, statement, person) cela, ça ce
    ━━━━━━━━━━━━━━━━━
    ça is commoner and less formal than cela; ce is used as a pronoun only as the subject of être.
    ━━━━━━━━━━━━━━━━━
    do you like that? vous aimez cela ?
    that's enough! ça suffit !
    that's fine! c'est parfait !
    that is (to say)... c'est-à-dire...
    who's that? qui est-ce ? ; (on phone) qui est à l'appareil ?
    is that you Paul? c'est toi Paul ?
       b. ( = that one, those ones) celui-là m, celle-là f ceux-là mpl, celles-là fpl
    those over there ceux-là (or celles-là) là-bas
    are those our seats? est-ce que ce sont nos places ?
    those are nice sandals elles sont belles, ces sandales
    that which ( = the one which) celui qui m celle qui f
    there are those who say... certains disent...
    at that!
    and there were six of them at that! et en plus ils étaient six ! by that
    what do you mean by that? qu'est-ce que vous voulez dire par là ? that's it ( = the job's finished) ça y est ; ( = that's what I mean) c'est ça ; ( = that's all) c'est tout ; ( = I've had enough) ça suffit
    sorry, I wasn't listening -- that's just it, you never listen! désolé, je n'écoutais pas -- c'est bien le problème, tu n'écoutes jamais ! so that's that alors c'est ça
    so that's that then, you're leaving? alors c'est ça, tu t'en vas ?
       b. ► that... + preposition lequel m laquelle f lesquels mpl lesquelles fpl
    ━━━━━━━━━━━━━━━━━
    à + lequel, lesquels and lesquelles combine to give auquel, auxquels and auxquelles.
    ━━━━━━━━━━━━━━━━━
    ━━━━━━━━━━━━━━━━━
    ► When that + preposition refers to people, preposition + qui can also be used.
    ━━━━━━━━━━━━━━━━━
    ━━━━━━━━━━━━━━━━━
    dont is used when the French verb takes de.
    ━━━━━━━━━━━━━━━━━
    the girl/the book that I told you about la jeune fille/le livre dont je vous ai parlé
    ━━━━━━━━━━━━━━━━━
    que cannot be omitted in a second clause if it has a different subject.
    ━━━━━━━━━━━━━━━━━
    it's an attractive investment in that it is tax-free c'est un investissement intéressant dans la mesure où il est exonéré d'impôts not that non (pas) que
       a. ( = so) si
    it's not that important/bad ce n'est pas si important/mal (que ça)
       b. ( = so very) (inf) tellement
    when I found it I was that relieved! lorsque je l'ai trouvé, je me suis senti tellement soulagé !
    * * *
    1. [ðæt, ðət]
    determiner (pl those) ce/cet/cette/ces

    that chair/that man over there — cette chaise/cet homme là-bas

    2. [ðæt]
    1) ( that one) celui-/celle-/ceux-/celles-là

    who's that?gen qui est-ce?; ( on phone) qui est à l'appareil?

    before that, he had always lived in London — avant cela, il avait toujours vécu à Londres

    those who... — ceux qui...

    3. [ðət]
    relative pronoun ( subject) qui; ( object) que; ( with preposition) lequel/laquelle/lesquels/lesquelles
    4. [ðət]
    1) gen que

    oh that he would come — s'il pouvait venir; ( expressing surprise)

    5. [ðæt]
    ••

    ...and (all) that —...et tout ça

    ...and he's very nice at that! —...et en plus il est très gentil!

    I might well go at that! — en fait, je pourrais bien y aller!

    at that, he got up and left — en entendant cela, il s'est levé et est parti

    that is (to say)... — c'est-à-dire...

    that's it! — ( that's right) c'est ça!; ( that's enough) ça suffit!

    well, that's it then! — il n'y a rien de plus à faire!

    English-French dictionary > that

  • 20 Usage note : you

    In English you is used to address everybody, whereas French has two forms: tu and vous. The usual word to use when you are speaking to anyone you do not know very well is vous. This is sometimes called the polite form and is used for the subject, object, indirect object and emphatic pronoun:
    would you like some coffee?
    = voulez-vous du café?
    can I help you?
    = est-ce que je peux vous aider?
    what can I do for you?
    = qu’est-ce que je peux faire pour vous?
    The more informal pronoun tu is used between close friends and family members, within groups of children and young people, by adults when talking to children and always when talking to animals ; tu is the subject form, the direct and indirect object form is te (t’ before a vowel) and the form for emphatic use or use after a preposition is toi:
    would you like some coffee?
    = veux-tu du café?
    can I help you?
    = est-ce que je peux t’aider?
    there’s a letter for you
    = il y a une lettre pour toi
    As a general rule, when talking to a French person use vous, wait to see how they address you and follow suit. It is safer to wait for the French person to suggest using tu. The suggestion will usually be phrased as on se tutoie? or on peut se tutoyer?
    Note that tu is only a singular pronoun and vous is the plural form of tu.
    Remember that in French the object and indirect object pronouns are always placed before the verb:
    she knows you
    = elle vous connaît or elle te connaît
    In compound tenses like the present perfect and the past perfect, the past participle agrees in number and gender with the direct object:
    I saw you on Saturday
    (to one male: polite form)
    = je vous ai vu samedi
    (to one female: polite form)
    = je vous ai vue samedi
    (to one male: informal form)
    = je t’ai vu samedi
    (to one female: informal form)
    = je t’ai vue samedi
    (to two or more people, male or mixed)
    = je vous ai vus samedi
    (to two or more females)
    = je vous ai vues samedi
    When you is used impersonally as the more informal form of one, it is translated by on for the subject form and by vous or te for the object form, depending on whether the comment is being made amongst friends or in a more formal context:
    you can do as you like here
    = on peut faire ce qu’on veut ici
    these mushrooms can make you ill
    = ces champignons peuvent vous rendre malade or ces champignons peuvent te rendre malade
    you could easily lose your bag here
    = on pourrait facilement perdre son sac ici
    Note that your used with on is translated by son/sa/ses according to the gender and number of the noun that follows.
    For verb forms with vous, tu and on see the French verb tables.
    For particular usages see the entry you.

    Big English-French dictionary > Usage note : you

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  • formal — 1 adjective 1 formal behaviour is very polite, and is used with people you do not know well, or in official situations or at important social occasions: Our boss is very formal, she doesn t call anyone by their first name. 2 formal language is… …   Longman dictionary of contemporary English

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